It is obvious this was added for more “realistic” pedal resonance but too much and “too long”. We need to call a piano tuner (!)….”Ģ - strange dull rumbling and persisting noises added intentionally as long as the damper pedal is engaged. But if me, I might say “well, the damper is tired. Of course such sounding piano does exists. Those too remaining resonances are disturbing when you need subtil half pedal expressions, in particular. It’s not “room echo” you’re talking about, mate !!) However, alas, to be honest, I have some frustrations, too ġ - algorithmically added / controlled resonances, such of strings, casting frame or resonance board are too much and there is no parameters to decrease the level…. And you even have the resonances of the “bell” resonator, unique to the Steinway piano. It captures the subtle nuances of the hammering attack, the presence of the ultra-low (no longer “sound”, but rather kinetic energy) that only pianists can feel. In parallel, the quality of the recording / sampling is also worth mentioning. Steinway is known being particularly “direct” and “quick” among many pianos. That's why you feel so good playing on it and it sounds so natural It's almost like playing a real Steinway. I'm not talking about your DAW's buffer size or other latency settings. First of all, the greatest advantage of this RAVEL piano is its quick response.
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